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What is: 3D design and spatial design?

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Lila Bernstein-Newman, Anti-etiquette cutlery 2016 Foundation in Arts and Design, Camberwell College of Arts, UAL. Photograph: Lila Bernstein-Newman
Written by
Jason Allcorn
Published date
25 January 2018

Jason unpacks 3D and spatial design with the help of some of his foundation course students.

3D designers create objects that have a function. But for me, 3D design is as much about the process as the final outcome: being curious, questioning, finding problems, imagining a better way, experimenting, trying, failing, playing, collaborating, discovering, proposing and reflecting on what you’ve designed.

When applied well 3D design can lead to a better world. Take a look around you – most of the things we use in our daily life have sprung from the mind of a designer.

Here’s some examples to show the variety of final major projects completed by students studying the 3D and Spatial pathway on the Foundation Diploma at Camberwell College of Arts:

Jewellery

an abstract piece of jewellery
Sofiane Zoubir, Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Sofiane Zoubir

Sofiane is passionate about gemstone cutting and exploring new geometries and techniques in jewellery design. He experimented with how light interplayed with cut stones, and how that effect could be enhanced by laser cutting and etching light transmitting plastic.

Spatial design/ lighting

a high contrast image of a concrete bunker
Franco Voltolini. Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Franco Voltolini.

Franco’s project is a lighting solution inspired by the symbolism of bunkers. He explored how concrete bunkers looked (the aesthetics) and how they were produced. Research trips, interviews with experts and experiments with manufacturing techniques helped him come up with his design. Using gold leaf as a reflector gives Franco’s final design a warm centre within the raw brutalism of the concrete.

Ceramics

a piece of brown material
Oliver Tanay Akdeniz, Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Oliver Tanay Akdeniz

From the beginning of the foundation year, Oliver was set on a pathway of ceramics. He improved his knowledge and played with techniques to form shapes during his time on foundation, producing a wide range of material and forms.

Craft/product

an abstract set of cutlery
Lila Bernstein-Newman, Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Lila Bernstein-Newman.

Lila explored the etiquette and everyday use of cutlery. She recorded a number of people eating, and compared this to the idea of a ‘correct’ way to eat. Her experiments investigated the concept of anti-etiquette cutlery, which played with grip and functionality.

Product

a page from a sketchbook showcasing a verity of material samples
Hans Silas Jovine, Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Hans Silas Jovine

Hans was interested in experimenting with a variety of materials, jointing systems and geometries. He proposed an open modular system (a kit of parts) that invites you as a user to create useful everyday objects.

Footwear

sketches of dancers in various poses
Pimmada Pathumcharoenwattana, Foundation Diploma in Art and Design, Camberwell College of Art, UAL. Photograph: Pimmada Pathumcharoenwattana

Pimmada conducted research around dance and movement, creating films that inspired the development of her final magnetic footwear proposal.

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