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A look back at BA Fine Art: Drawing class of 2022

A detail of a piece constructed of intricate crosshatching
  • Written bySamin Shirazi-Kia
  • Published date 28 September 2022
A detail of a piece constructed of intricate crosshatching
Denni Waterhouse: The Things You’ve Missed
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Denni Waterhouse

In June, students from BA Fine Art: Drawing exhibited their graduating work as part of the Camberwell College of Arts Show 2022. Among the huge talent unveiled across the Show, we zone in on 2 students whose works shows singular vision.

A detail of Denni’s crosshatched piece. A leg seemingly disembodied from a figure belonging beyond the frame of the image lies upon the lower vertical third of the picture, the rest of the image dedicated to depicting a quotidian scene which wouldn’t be unfamiliar in a bedroom, replete with a fan, a lamp, a glass of water and so on.
Denni Waterhouse: The Things You’ve Missed
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Denni Waterhouse

We begin with the work of Denni Waterhouse: “My project is based upon the little moments in everyday life that are overlooked. Spending time on these moments allows me to feel close to the people I spent those moments with and the way I was feeling at that point.”

A full view of Denni’s work in portrait.
Denni Waterhouse: The Things You’ve Missed
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Denni Waterhouse

“My work is inspired mainly by the loss of a close family member; the thought of these moments mean so much to me, along with the fact they aren’t here to be able to experience the tiny moments we tend to overlook.”

An abstracted element of the piece. The image shows objects depicted in the crosshatched style whilst around the objects the space gives way to some as yet not realised depictions in pencil against the white of the canvas.
Denni Waterhouse: The Things You’ve Missed
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Denni Waterhouse

“The use of cross-hatching in my work allows me to create a soft, textured environment that aim to make an audience resonate with the moment and the feelings I’m trying to portray. The intensity of creating the cross-hatched marks, and re-visiting the same technique over and over again, is what allows me to really revisit the moments.”

 A detail from the piece. The detail is vague and ambiguous, as though it captures elliptical light glancing against the wall inside some shadowy interior, and moves to impress upon the viewer the expressive and dramatic capabilities inherent in the crosshatching effect.
Denni Waterhouse: The Things You’ve Missed
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Denni Waterhouse

We now move on to Isabelle Morton’s work. “My graduate show piece 'As with the ground, so too the skin' explores subjective perceptions of physical space and forms of intimacy within structures of dwelling. Such experienced forms of intimacy, in conversation with contextual writing, have informed my practice over the years and evolved with my own phenomenological understanding of space.”

A black grid slumps against a wall, the lower portions of the grid are populated by black squares, a mountain range-like shape emerging upon them, each square containing a component of the piece which combine in the integration.
Isabelle Morton: As with the ground, so too the skin
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Isabelle Morton
A close up showing in detail the components making up the gridded construction.
Isabelle Morton: As with the ground, so too the skin
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Isabelle Morton

“This work specifically takes on themes of structural impermanence and the subjective duality of this intimacy within a place - through every individual experience of living and moving, as limitless space is domesticated and reintroduced as an inhabitable background for life.”

Another detail image which shows a series of the squares’ casting husks.
Isabelle Morton: As with the ground, so too the skin
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Isabelle Morton

“The materiality plays a role here, as every 'thing' in every space exists within the continuum of time and contains and collects cultural memory throughout. In reflection of the contextual framework, the materials chosen for this project intentionally show a stark progression from previous work, with a focus on the refabrication and casting of objects through the use of machinery.”

The piece is hung onto the wall. It is a structure of stark black girder like lines intersecting and combining upon one another. The shape roughly achieved is like a V directly placed onto a T.
Isabelle Morton: As with the ground, so too the skin
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Isabelle Morton
A close-up of the piece. The image shows the centroid of the mass of lines and angles established.
Isabelle Morton: As with the ground, so too the skin
BA (Hons) Fine Art: Drawing, Camberwell College of Arts, UAL | Photograph: Isabelle Morton

Find out more about BA Fine Art: Drawing at Camberwell College of Arts.