CRiSAP is at the forefront of global publishing on sound arts practice and research. Below is a selection of key titles that have forged new dialogues within and beyond the field.
Featured publications
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Listening After Nature, Mark Peter Wright (2022).
Listening After Nature
Mark Peter Wright, 2022: examines constructions and erasures influencing field recording practice and discussion.
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Sound Arts Now, Cathy Lane and Angus Carlyle (2021)
Sound Arts Now
Cathy Lane and Angus Carlyle, 2021: explore contemporary artistic practices, theories and career development issues.
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The Political Possibility of Sound, Salomé Voegelin (2018)
The Political Possibility of Sound
Salomé Voegelin, 2018: 7 essays on politics that imagines transformation and the desire to embrace a connected and collaborative world.
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Colloquium: Sound Art and Music, Thomas Gardner and Salomé Voegelin (2016).
Colloquium: Sound Art and Music
Thomas Gardner and Salomé Voegelin: defining the relationship between sound art and music accessible, beyond disciplinary boundaries.
Featured audio works
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The Hebrides Suite, Cathy Lane (2013)
The Hebrides Suite
Cathy Lane, 2013: 6 audio works exploring how past lives and past events leave sonic traces and how we can hear them.
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Paint your lips whilst singing your favourite song, Salomé Voegelin (2022).
Paint your lips whilst singing your favourite song
Salomé Voegelin, 2022: 8 audio works from 8 artists explore what happens when instructions are performed rather than obeyed.
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Hymnes San Paroles, Adam Stanovic (2022).
Hymnes San Paroles
Adam Stanovic, 2022: 6 audio works, featuring references to Dale Jonathan Perkins’s well-known works.
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Decoys, Mark Peter Wright and Angus Carlyle (2018).
Decoys
Angus Carlyle and Mark Peter Wright, 2018: 15-minute composition and a graphic score.