Dr Annie Goh

Biography

Dr Annie Goh is an artist and researcher. Her work, in its numerous forms from sound installation, composition and computer music to writing, performance and social practice, takes a critical approach to contemporary debates in the fields of digital technologies, media arts, generative and computational processes and communication studies, with a particular focus on sound, intersectional feminism, decolonial theory and the politics of knowledge production. She is Course Leader of BA Sound Arts/BA Sound Arts: Design/BA Sound Arts: Experimental Music at LCC, Senior Lecturer and a member of CRiSAP (Creative Research in Sound Arts Practice).

Recent publications have appeared in Bodies of Sound (Silver Press, 2024), Coming to Know (Archive Books 2022), Cyberfeminism Index (Inventory Press 2022), Parallax (2017), n.paradoxa: feminist art journal (2016) & Flusseriana: An Intellectual Toolbox (2015). Exhibitions, performances, commissions and residencies include Mimosa House (London, UK), Cinenova (UK), Studio XX (Montreal, Canada), Parabol, (Bergen, NO), Sexing Sound (Chicago, US), Inside-Out Art Museum (Beijing, CN), Höhlenmediale (Wendelstein, DE), White Building (London, UK), Arthackday at LEAP and transmediale (Berlin, DE) and Tokyo Wonder Site (Tokyo, JP). She co-curated the discourse program of CTM Festival Berlin 2013-2016 and is co-founder of the Sonic Cyberfeminisms project since 2015 with Dr Marie Thompson (Open University).

She was previously a Lecturer in XD Pathway in BA Fine Art, Central Saint Martins (2019-2021) and has taught at Goldsmiths College, University of London, University of Arts Berlin (UdK) and Humboldt University Berlin. She holds an MA in Sound Studies and a Meisterschüler award in Computational/Generative Art, both from the University of Arts Berlin. Her PhD thesis entitled “Sonic Knowledge Production in Archaeoacoustics: Echoes of Elsewhere?” from Goldsmiths, University of London was an ethnographic investigation into the production of knowledge in archaeoacoustics which reconceptualised echo as a feminist and decolonial sonic figuration. She received AHRC/CHASE funding for her studies and was a Stuart Hall Foundation PhD Fellow.

She is an editorial member of peer-reviewed journal Feminist Review. A monograph entitled 'Sonic Cyberfeminisms' co-authored with Marie Thompson is forthcoming (2026) on Goldsmiths Press.