Hilary Lloyd

Biography

Hilary Lloyd has exhibited internationally with the following solo exhibitions; ‘Car Park’, Sadie Coles HQ, London (2019); Bar, BAR, Turin (2019); 'Theatre', Focal Point Gallery, Southend-on-Sea (2017); 'Dock Lands', Greene Naftali, New York (2017); 'Awful Girls', Dorich House Museum, Kingston-upon-Thames (2017); 'Woodall', Temple Bar Gallery + Studios, Dublin (2017); 'Hilary Lloyd', Blaffer Art Museum, University of Houston, Texas (2016); ‘Robot’, Sadie Coles HQ, London (2015); ‘Balfour’, Sadie Coles HQ, London (2015); Museum für Gegenwartskunst, Basel (2012); Artists Space, New York (2011); Raven Row, London (2010); Tramway, Glasgow (2009); Le Consortium, Dijon (2009); Kunstverein München, Munich (2006); ‘Waiters’, Henry Moore Foundation Contemporary Projects, Venice Biennale (2003); ‘Kino der Dekonstruktion’, Frankfurter Kunstverein, Frankfurt (2000); and Chisenhale Gallery, London (1999).

In 2016 Lloyd was the recipient of the Bryan Robertson Trust Award, and in 2011 she was nominated for the Turner Prize. Recent group exhibitions include ‘Textualities...Once Removed’, Fondazione Antonio Ratti, Como, Italy (2016); ‘In A Dream You Saw A Way To Survive And You Were Full Of Joy: Elizabeth Price Curates’, Whitworth Art Gallery, Manchester (2016); ‘Von Bildern’, Museum für Gegenwartskunst, Basel (2015); ‘Dora’, Stanley Picker Gallery, Kingston University (2015; where she was appointed the first Dorich House Fellow in 2015); ‘Over you / you’, 31st Biennial of Graphic Arts Ljubljana (2015); A Singular Form, Secession, Vienna (2014); and ‘Remote Control’, Institute of Contemporary Arts, London (2012).

My work engages with video, sound, sculpture, painting and installation.