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Postgraduate

MA Contemporary Photography; Practices and Philosophies

Composite images of a figure leaning in different poses
Anastassia Radtsenko, MA Contemporary Photography; Practices and Philosophies
College
Central Saint Martins
Start date
September 2025
Course length
Two years (60 weeks)
Extended full-time

MA Contemporary Photography; Practices and Philosophies is a fine art photography course which merges research with practice.

Course summary

Apply to start in September 2025

This course has places available for UK applicants only. We are no longer accepting applications from international students for 2025/26 entry to this course. International applications for 2026/27 entry will open in autumn 2025.

The title for this course is changing for 2026/27 applicants, to:
MA Contemporary Photography and Theory.

Applying for more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL (excluding online or low-residency courses and Graduate Diplomas). Find out more in the Apply Now section.

The course is rooted in the idea that photography has no self-limiting identity or essence. Creating visually exciting and intellectually compelling work, you will develop as an artist with photography at the core of your practice. This course is part of the Art programme.

Why choose this course at Central Saint Martins

  • Transdisciplinary practice: On this course, you will study photography as an interlacing of fine art, technology, aesthetics and new media. You will explore the effects of digital cultures on art practice, the everyday and the environment.
  • Visiting practitioners: The course has an extensive visiting lecturer programme, including leading artists, philosophers and curators.
  • State-of-the-art equipment: You will have access to advanced equipment for scanning, large-format digital colour and chemical black and white printing.
  • Curatorial projects: The course offers opportunities for you to take part in group curatorial projects, in which you will learn to curate in a shared space.

Recent student successes

  • Marion Mandeng: awarded the 2020 The Other Art Fair Postgraduate Prize
  • Lara Orawski: winner Tension Gallery Prize 2019 solo exhibition; shortlisted for the MullenLowe Nova award. Read more: MullenLowe website
  • Ana Luiza Rodrigues: awarded the 2019 Dean's Prize for Art
  • Terry Dimoulias: awarded the 2019 The Other Art Fair Postgraduate Prize
  • Anamarija Podrebarac: awarded the 2018–19 Jane Rapley Scholarship. Read the interview
  • Yajing Hu: 2018 MullenLowe Nova Award winner
  • Susanna Brunetti: 2018 HIX Award finalist
  • Irene Domínguez Jervis: 2017 HIX Award finalist
  • Matilde Damele: winner the 2017 Clifford Chance Printmaking Purchase Prize
  • Maria Luigia Gioffrè, MA Photography alum: Winner - Installation, Sculpture and Performance, Celeste Prize 2017.

Course overview

MA Contemporary Photography; Practices and Philosophies begins from a fluid and interdisciplinary understanding of photography, situating it in relation to fine art and through an engagement with contemporary philosophy and theory. The course is located in photography’s ‘expanded field’, wherein traditional, medium-bound notions of what constitutes a photograph find themselves challenged by other forms of making, including film and video, installation, sculpture and assemblage, performance, and painting. Taking photography as a starting point—but not an end—this course understands the practice of image-making as central to the condition of contemporary society.

In our current landscape, visual literacy is more important than ever. By learning to think with and through photography (whether or not you employ it in your practice), you will be inspired to critically engage with images: both those that you make, and those which you are surrounded by. You will be asked to look beyond framing devices like racial, gendered and geographic hierarchies, and to consider not only what these capture but what they leave out. By attending to photography and other image-making practices, the complex systems in which we work and live can be unpacked and re-formed.

MA Contemporary Photography; Practices and Philosophies invites students and staff to learn from each other through taught seminars, group critiques, workshops and exhibitions. This will help you to integrate your making and thinking, developing your practice as both an artist and a researcher. Academic and teaching staff will support you as you refine your work, helping you to position it within a field of discourse appropriate to your interests.

What to expect

  • Practice as process: The extended full-time mode of study allows students to cultivate their practice over two years, balancing it alongside work and other life commitments. This gives students the time and space to commit to their practice as a process, and to develop at their own pace.
  • Artistic development: We create a flexible, supportive, and curiosity-driven space for students to explore their practice, and to experiment with new materials and ways of working. We encourage you to take risks, and by doing so, to come closer to what drives you as an artist.  
  • Critically engaged practice: You will cultivate a practice that responds to the politics and ethics of image making, developing your artistic work alongside a body of independent research. Students are encouraged to work sustainably and collaboratively as they explore photographic methods in the context of climate crisis and the ongoing collapse of binary thinking.

Employability, professional practice and opportunities


This MA attracts students from around the world, and from different artistic and/or professional backgrounds. Students are part of the wider postgraduate art community and come together around shared exhibitions and events, creating dynamic and diverse spaces for exchange.

Events hosted by the wider Art Programme will give you the opportunity to hear from visiting artists and we have a number of public facing exhibitions and events during the two years of MA study. These opportunities bring together students from across the Central Saint Martins postgraduate Art Programme community and include the Interim Show (Year 1), Editions (Year 2), and the Showcase (Year 2). These events depend on students’ collective participation. 
  
Optional, extra-curricular opportunities that arise will be advertised to all students on the course. These might include additional opportunities to expand and develop your practice, such as exhibitions and publications, interdisciplinary partnerships, and site-specific events in both real and virtual environments.

Contact us

Register your interest to receive information and updates about studying at UAL.

Contact us to make an enquiry.

Course channels

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Course units

MA Contemporary Photography; Practices and Philosophies is structured around four assessed units, each of which include teaching events (including personal tutorials, group critiques, lectures, workshops, inductions, and public facing events) to facilitate the development of your thinking and practice. Throughout the course you will also be expected to engage in independent practice and research. The four units build on each other, and are supported by a range of specialist staff and guest lecturers. 
 
In Year 1 of the course, teaching is more intensive, and group work submerges you in the development of your practice. Year 2 continues with an emphasis on independent study, as your practice evolves towards exhibiting in the Showcase.

Unit 1: Exploring Practice and Research
 
In Unit 1 we explore different ways of practicing. Through a weekly taught seminar, you will be introduced to key histories and concepts relating to photography: not just as a medium, but as an idea. By ‘thinking photographically,’ we will explore what it means to make images across different mediums, establishing a critical context for the development of your own practice. You will begin to carve out your own independent research interests, supported by tutorials, installs and group critiques. 
 
Unit 2: The Collaborative Unit 
 
This unit provides opportunities for cross-course creative and collaborative practices in relation to global challenges. The unit explores a range of thematic, experimental, and applied approaches to cross-disciplinary research, enquiry, and knowledge exchange. The aim is to establish a framework for co-operation and social responsibility across the College in relation to our shared values. 
 
Unit 3: Developing Practice and Research
 
In Unit 3, you will continue to develop your research interests and to articulate how your practice is positioned against them. This is a largely self-led unit, supported by tutorials, seminars, and an academic tutor who will oversee the progression of your independent research. The unit culminates with the submission of a research paper, which will inform the continuing development of your work and focus your practice as you begin Unit 4.
  
Unit 4: Realisation of Practice and Research 
 
In Unit 4, you will be supported to create a cohesive body of work, building from your research interests and practice to date. Professional development events will enhance how you position your work in relation to an audience, and prepare you for life after graduation. Unit 4 culminates with the Showcase, a public facing exhibition which all students participate in. 

Teaching Events
 
Lectures and Seminars take place throughout the two years of study. The Y1 seminar programme will help you position and contextualise your practice. Postgraduate lectures offer the opportunity for all members of the MA-level Art Programme to meet for debate and engage with contemporary issues that are shared by all disciplines. Events organised by the Art Programme will give you the opportunity to hear from visiting artists, and to enhance your professional practice.

Group tutorials will allow you to discuss and develop your practice in conversation with peers and staff. 
 
Personal tutorials are held with different members of staff. They are an opportunity for you to share developments in your practice and research, and to receive direct feedback.
 
Group installs and crits are held across the two years. These are an important opportunity for you to share and critique your work with peers and tutors, to learn how to install your work, and to test it physically in different spaces.
 
Workshops and technical inductions help support your use of the designated Art Programme facilities in the College. Alongside inductions arranged by the course, you are encouraged to independently engage with these spaces where additional support is available within the workshops.
 
Independent, collective, and collaborative work. An important emphasis of the course is self-organisation and co-operative working. As you develop more independence over the course, you will also have opportunities to engage with a variety of projects or practices that involve a level of collaboration and co-operation.

Exhibitions and public facing events. There are a number of publicly facing exhibitions and events during the two years. These opportunities bring together students from across the Central Saint Martin’s Postgraduate Art programme and include the Interim Show (Year 1), Editions (Year 2), and the Showcase (Year 2). These events depend on students’ collective participation. 
 

  • Interim Show provides you with opportunities for sharing practice and experience with the broader post-graduate community across the art programme. It creates an opportunity to test your ideas and consider audience engagement with your developing work. 
  • Editions is an annually changing public-facing event which gives you direct experience of commercial enterprise. Based on the format of an edition, each student will produce a number of prints which will be for sale. All second-year students contribute to the preparation and running of the event. Proceeds contribute to further student Showcase activities. 
  • Showcase takes place at the end of the course and is an opportunity to show your work publicly. The exact format and location is determined each year.  

Additional opportunities: optional, extra-curricular opportunities that arise will be advertised to all students on the course. These might include additional opportunities to expand and develop your practice, such as exhibitions and publications, interdisciplinary partnerships, and site-specific events in both real and virtual environments.

Students are encouraged to independently engage with opportunities for further collaborations, project work, exhibitions, and research outside of the course, programme, or college, but must however inform their tutor and Course Leader and ensure it does not affect their ability to engage with the course.

Important note concerning academic progression through your course: 


If you are required to retake a unit you will need to cease further study on the course until you have passed the unit concerned. Once you have successfully passed this unit, you will be able to proceed onto the next unit. Retaking a unit might require you to take time out of study, which could affect other things such as student loans or the visa status for international students. 

CSM Academic Support is delivered by a team of academics and practitioners working alongside your course to help you progress and achieve your maximum potential as a student. Academic Support can help you to develop your skills in different areas, including critical thinking, research and writing, time management, presentations and working independently and collaboratively. These may be offered as part of your timetabled classes or as bookable tutorials and workshops.

Mode of study


MA Contemporary Photography; Practices and Philosophies is offered in extended full-time mode which runs for 60 weeks over two academic years. You will be expected to commit 30 hours per week to study, which includes teaching time and independent study. The course has been designed in this way to enable you to pursue your studies while also undertaking part-time employment, internships or care responsibilities.

Credit and award requirements


The course is credit-rated at 180 credits. 

On successfully completing the course, you will gain a Master of Arts (MA degree). 

Under the Framework for Higher Education Qualifications, an MA is Level 7. All units must be passed in order to achieve the MA but the classification of the award is derived from the marks for the second and third units. 

If you are unable to continue on the course, a Postgraduate Certificate (PG Cert) will normally be offered following the successful completion of 60 credits, or a Postgraduate Diploma (PG Dip) following the successful completion of 120 credits.  
 

Learning and teaching methods

The learning and teaching methods devised for this course include: 

  • Briefing materials, written guidance and meetings 
  • Inductions and technical support 
  • Lectures, seminars and guest speakers 
  • Personal and group tutorials
  • Shared teaching events across the Art programme 
  • Collaborative project opportunities 
  • Presentations and sharing events 
  • Installations and group critiques
  • Recommended reading and viewing 
  • Independent practice and research 
  • Optional and/or mandatory workshops and projects 
  • Public-facing events including the Interim Show and Showcase
  • Self-evaluation 
  • Assessment feedback

Assessment methods

Formative and Summative Assessments holistically assess a number of different formats, including:

  • Participation in lectures and seminars
  • Research and preparatory work 
  • Outputs from group project work and assignments 
  • Documentation of work 
  • Group presentations
  • Written work 
  • Self-evaluation 
  • Realisation of individual programme of practice

Student view: Liying Hu

Student view: Niloofar Taatizadeh

Student view: Ebony Francis

UAL Showcase

Explore work by our recent students on the UAL Showcase

  • Graduate Showcase: MILE WANG
    MILE WANG, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Es ist wie vogelfrei — „ Homo sacer “
    Es ist wie vogelfrei — „ Homo sacer “, Mali Liu, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Body of Work
    Body of Work, Mariam El Gendy, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Graduate Showcase: Steve Duan
    Steve Duan, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • _SK1N_00_
    _SK1N_00_, Miguel Martim, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Pursuit of the Lesser God Lobster
    Pursuit of the Lesser God Lobster, Kim Shaw, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Cosmos Dance
    Cosmos Dance, Lumina Liu, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Nuclear Winter
    Nuclear Winter, Munirah Almehri, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Blue
    Blue, Paddy Sutton, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL
  • Leftovers Reimagined
    Leftovers Reimagined, Xiaoqi Kaia Lin, 2024 MA Contemporary Photography; Practices and Philosophies, Central Saint Martins, UAL

Student work

  • Irene-Dominguez.jpg
    Irene Dominguez
  • Julia-Wolf.jpg
    Julia Wolf
  • Yajing_Hu.jpg
    Yajing Hu
  • Simona_Sharafudinov.jpg
    Simona Sharafudinov

MA Contemporary Photography; Practices and Philosophies stories

  • Credit: Dieter Vlasich Obermann, 2025

    MullenLowe NOVA Awards 2025: the nominees

    The nominations for this year's MullenLowe NOVA Awards are a filter of the CSM class of 2025: fifty-one ideas across art, design, fashion, architecture, materials and performance that bring us to a closer understanding of our selves and our future.

  • Tong Yin, BA Textile Design

    MullenLowe NOVA Awards 2024: the nominees

    The nominations for this year's MullenLowe NOVA Awards are a filter of the CSM class of 2024: fifty ideas across art, design, fashion, architecture, materials and performance that bring us to a closer understanding of our selves and our future.

  • Photo by Jamie Johnson

    An art education multipack of perspectives and contexts in Sideshow

    Central Saint Martins Art Programme and friends take over the Lethaby Gallery this January. With installed artworks and a playful programme of daily happenings, Sideshow zones in on the offbeat, with uplifting perspectives on serious concerns.

  • Luciana Dal Ri, 'Dust'

    GROTTO: Postgraduate Art Print Sale preview

    Opening soon! CSM XMAS GROTTO: where you can buy affordable work by final-year postgraduate students from across the Central Saint Martins Art programme. Over 100 limited edition A3 prints at £50 available to buy in person and online.

Facilities

Staff

Associate Lecturer (Art in context): Dean Kenning
Associate Lecturer (Performance workshops and tutorials): Helen Richardson

Recent seminars

Dr Åsa Johannesson
Paul O'Kane
Dr Gavin Edmonds
Beth Bramich

Recent Visiting Practitioners

Jananne Al-Ani
Benjamin Edwin Slinger
Zeinab Saleh

Fees and funding

Home fee

£7,330 per year

This fee is correct for 2025/26 entry and is subject to change for 2026/27 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Home fees are currently charged to UK nationals and UK residents who meet the rules. However, the rules are complex. Find out more about our tuition fees and determining your fee status.

International fee

£19,270 per year

This fee is correct for 2025/26 entry and is subject to change for 2026/27 entry.

Tuition fees may increase in future years for new and continuing students on courses lasting more than one year. For this course, you can pay tuition fees in instalments.

Students from countries outside of the UK will generally be charged international fees. The rules are complex so read more about tuition fees and determining your fee status.

Additional costs

You may need to cover additional costs which are not included in your tuition fees, such as materials and equipment specific to your course. For a list of general digital equipment you may need (and how you can borrow equipment), visit our Study costs page.

Accommodation

Find out about accommodation options and how much they will cost, and other living expenses you'll need to consider.

Scholarships, bursaries and awards

If you’ve completed a qualifying course at UAL, you may be eligible for a tuition fee discount on this course. Find out more about our Progression discount.

You can also find out more about the Postgraduate Masters Loan (Home students only) and scholarships, including £7,000 scholarships for Home and International students. Discover more about student funding.

If you’re based in the UK and plan to visit UAL for an Open Event, check if you’re eligible for our UAL Travel Bursary. This covers the costs of mainland train or airline travel to visit UAL.

How to pay

Find out how you can pay your tuition fees.

Scholarship search

Entry requirements

The standard entry requirements for this course are as follows:

  • An honours degree 

Or 

  • An equivalent EU/international qualification.

AP(E)L – Accreditation of Prior (Experiential) Learning


Exceptionally applicants who do not meet these course entry requirements may still be considered. The course team will consider each application that demonstrates additional strengths and alternative evidence. This might, for example, be demonstrated by:

 

  • Related academic or work experience
  • The quality of the personal statement
  • A strong academic or other professional reference

Or a combination of these factors.


Each application will be considered on its own merit but we cannot guarantee an offer in each case.


English language requirements


IELTS level 6.5 or above, with at least 5.5 in reading, writing, listening and speaking (please check our main English language requirements webpage).

Selection criteria

We select applicants according to potential and current ability in the following areas: 

  • The quality of your practice 
  • Ability to devise and develop a self-directed programme of study 
  • The ability to develop and contextualise work in written form 
  • The ability to analyse and evaluate in both visual and oral terms 
  • Eagerness to contribute to the learning environment at postgraduate level.

What we are looking for 


We are seeking imaginative, resourceful individuals who are committed to exploring and developing a strong individual visual language. 

Information for disabled applicants

UAL is committed to achieving inclusion and equality for disabled students. This includes students who have:

     
  • Dyslexia or another Specific Learning Difference
  • A sensory impairment
  • A physical impairment
  • A long-term health or mental health condition
  • Autism
  • Another long-term condition which has an impact on your day-to-day life

Our Disability Service arranges adjustments and support for disabled applicants and students.

Read our Disability and dyslexia: applying for a course and joining UAL information.

Apply now

Application deadline

Deadline

Round 1:

10 December 2024 at 1pm (UK time)

Round 2:

26 March 2025 at 1pm (UK time)

Digital portfolio deadline

Round 1:

8 January 2025 at 1pm (UK time)

Round 2:

9 April 2025 at 1pm (UK time)

Decision outcome

Round 1:

21 March 2025

Round 2:

20 June 2025

Round 1
Round 2
Deadline
10 December 2024 at 1pm (UK time)
26 March 2025 at 1pm (UK time)
Digital portfolio deadline
8 January 2025 at 1pm (UK time)
9 April 2025 at 1pm (UK time)
Decision outcome
21 March 2025
20 June 2025

This course is still open to applications from UK students and will remain open until all places are filled.

Read more about deadlines

Apply now

Application deadline

Deadline

Round 1:

10 December 2024 at 1pm (UK time)

Round 2:

26 March 2025 at 1pm (UK time)

Digital portfolio deadline

Round 1:

8 January 2025 at 1pm (UK time)

Round 2:

9 April 2025 at 1pm (UK time)

Decision outcome

Round 1:

21 March 2025

Round 2:

20 June 2025

Round 1
Round 2
Deadline
10 December 2024 at 1pm (UK time)
26 March 2025 at 1pm (UK time)
Digital portfolio deadline
8 January 2025 at 1pm (UK time)
9 April 2025 at 1pm (UK time)
Decision outcome
21 March 2025
20 June 2025

We are no longer accepting applications to this course for 2025/26 entry from international applicants. Applications for 2026/27 entry will open in autumn 2025.

Read more about deadlines

How to apply

Follow this step-by-step guide to apply for this course

Step 1: Initial application

You will need to submit an initial application including your personal statement, CV and written task.

Personal statement advice

Your personal statement should be maximum 500 words and include:

  • your reasons for choosing the course
  • your current creative practice and how this course will help you achieve your future plans
  • any relevant education and experience, especially if you do not have any formal academic qualifications.

Visit our personal statement page for more advice.

CV advice

Please provide a CV detailing your education, qualifications and any relevant work or voluntary experience. If you have any web projects or other media that you would like to share, please include links in your CV. If English is not your first language, please also include your most recent English language test score.

Written task advice

Please provide a summary of your current research interests (800-1,000 words).

This should include:

  • an overview of the methodologies, practices and theories that you are interested in exploring during the course
  • a summary of how these relate to and/or will develop your current work and creative practice
  • reference to any research or contextual material that demonstrate your understanding of contemporary art practice and thinking. For example, key texts, practitioners or archives.

Please note, this statement serves to inform your application and we understand that your ideas will inevitably develop and change throughout your studies.

Step 2: Digital portfolio

We will review your initial application. If you have met the standard entry requirements, we will ask you to submit a digital portfolio.

You’ll need to submit this via PebblePad, our online portfolio tool.

Digital portfolio advice

Your portfolio should consist of recent work that reflects your creative strengths.

It should:

  • be a maximum of 20 pages
  • include a range of work to showcase your current creative practice. Focus on work that illustrates your interests, as well as your previous experience and practical skills. For example, any finished or graduating projects, works that demonstrate particular skills that are relevant to your ongoing practice, or that you’d like to continue developing, and works that demonstrate either who you have been as an artist, or who you hope to become
  • include works in progress, experimentation and research. This helps us understand how you test ideas and develop your work. For example, sketches or mockups, what you’ve read/viewed in relation to your practice, unfinished works, or speculative ideas for works yet to be made
  • include any group projects to demonstrate your ability to work collaboratively
  • show your ability to critically reflect upon your own creative practice and the contemporary art world.

For more support, see our Portfolio advice and PebblePad advice.

Step 3: Interview

You may be invited to an interview following our review of your application. All interviews are held online and last 15 to 20 minutes.

For top tips, see our Interview advice.

You also need to know

Communicating with you

Once you have submitted your initial application, we will email you with your login details for our Applicant portal.

Requests for supplementary documents like qualifications and English language tests will be made through the applicant portal. You can also use it to ask questions regarding your application. Visit our After you apply page for more information.

Applying to more than 1 course

From October 2024, you can only apply for a maximum of 3 postgraduate courses each year at UAL. This excludes online or low-residency courses and Graduate Diplomas, which you can apply to in addition to 3 other postgraduate courses.

If you apply for more than 3 postgraduate courses between October 2024 and August 2025, we won’t accept the 4th application. It’s not possible to withdraw an application to replace it with another.

You need to tailor your application, supporting documents and portfolio to each course, so applying for many different courses could risk the overall quality of your application. If you receive offers for multiple courses, you'll only be able to accept 1 offer.

Visas and immigration history check

All non-UK nationals must complete an immigration history check. Your application may be considered by our course teams before this check takes place. If your course requires a portfolio and/or video task, we may request these before we identify any issues arising from your immigration history check. Sometimes your history may mean that we are not able to continue considering your application. Visit our Immigration and visas advice page for more information.

External student transfer policy

UAL accepts transfers from other institutions on a case-by-case basis. Read our Student transfer policy for more information.

Alternative offers

If your application is really strong, but we believe your strengths and skillset are better suited to a different course, we may make you an alternative offer. This means you will be offered a place on a different course or at a different UAL College.

Deferring your place

We do not accept any deferral requests for our postgraduate courses. This means that you must apply in the year that you plan to start your course and you will not be able to defer your place to start at a later date.

Application deadlines

Most of our postgraduate courses have 2 rounds of deadlines: one in December and one in March.

As long as you apply ahead of each deadline we will consider your application alongside all the other applications in that round. We always make sure to hold enough places back for round 2 to make sure we can consider your application fairly, no matter which round you apply in.

If there are still places available after the second deadline, the course will remain open to applications until all places have been filled.

Careers

Our postgraduate Art Programme offers valuable opportunities to build transferable professional knowledge and skills. The exchange of perspectives with others through shared units, reading groups and debates helps establish stimulating and productive networks.

The focus on proposing and developing a major independent programme of study is supported by a shared professional practice lecture series featuring guest speakers plus opportunities to attend symposia and critique work in progress across subject areas. The Postgraduate Art Programme has wide-ranging links with professional organisations, collections and galleries, and includes opportunities for interaction and networking according to your personal career direction.

MA Contemporary Photography; Practices and Philosophies explores photography as a visual language feeding into a wide range of professional arenas and related disciplines. MA Contemporary Photography; Practices and Philosophies graduates are equipped to work in the gallery world, fine art publishing, book publishing and advertising, in London and beyond. They may also progress academically to research (PhD study) and teaching. Equipped with industry and cultural knowledge, you'll leave us knowing your worth in the art and business worlds, at home in international gallery or commercial contexts and able to initiate substantial cultural projects.