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Martine is currently Project Producer for 20/20 at the Decolonising Arts Institute. 20/20 is an ambitious 3-year programme funded by Freelands Foundation, Arts Council England and UAL. Combining artist residencies with artistic commissioning at scale, it brings together 20 emerging artists of colour with 20 UK public art collections, leading to new permanent acquisitions.
Martine is an experienced cultural producer in the arts and the museum sector with extensive experience of Higher Education. Over the past 20 years, she has worked as a curator, producer, lecturer, programmer and project manager at the ICA, the Brighton Photo Fringe, Electra Productions, Tate and UCL. She has been lecturing in Critical Studies and Arts Management at Goldsmiths, Birkbeck College and UCL since 2004.
She completed a PhD in 2008 at the London Consortium with a thesis entitled ‘Challenging the parergon: How public art institutions negotiate their boundaries’ Previously, she did a Masters in Semiotics and photography, and a Ba in Education. Her curatorial research and practice focus on collaborative, interdisciplinary processes that reflect, mediate and question experiences and knowledge of art.
Selection of publications: