Skip to main content
Story

Rewind! Presentations from UAL Education Conference 2024

Hands playing with colourful string set on a table
  • Written byElvira Vedelago
  • Published date 28 May 2025
Hands playing with colourful string set on a table
UAL Education Conference, 2024 | Photograph: Shaw Liu

The UAL Education Conference is organised by the Teaching, Learning and Employability Exchange and offers a unique staff development opportunity that promotes communication and knowledge sharing across the University of the Arts London (UAL).

As a full-day event, the Conference brings UAL staff together to learn about our colleagues' innovative research and practices from across Colleges, central services and the Arts Student Union.

This year, the Conference will be hosted at London College of Fashion, East Bank on 1 July 2025.

Ahead of the event, we are spotlighting 4 presentations from 2024 to illustrate the different types of presentation formats and subjects that can occur at the Conference. The case studies below are a small sample, offering more insight on the range of University staff who present at the Conference, why they were interested in presenting, how their work was engaged with on the day and how projects have developed since.

Sicgmone Kludje standing in front of building.
Sicgmone Kludje | Credit: Sicgmone Kludje

Sicgmone Kludje - Thinking through Knitting

Who are you and what do you do?

I am a Senior Lecturer at UAL, specialising in Textile Design in Critical Practice. My research focuses on Thinking through Making, with a particular interest in community and craft, especially exploring how knitting can be used as a research method. In addition to my teaching, I co-founded the Black Girl Knit Club (BGKC), a knitwear collective in East London, alongside Vea Koranteng in January 2019.

Over the last 6 years, I’ve worked with a diverse group of students on the BA Textile Design course at Chelsea College of Arts. Alongside delivering workshops as an associate lecturer with the Camberwell and Chelsea College of Arts' Insights programme.

Why were you interested in presenting at the Education Conference last year and how would you sum up your experience?

After completing my Master’s in Academic Practice for Art and Design Education, I applied to present at the UAL Conference to further develop my research with both staff and students. Earlier in 2023, I participated in the pilot conference Thinking through Making at London College of Fashion, where I led a workshop titled Thinking through Knitting. The session, which involved both staff and students, sparked the idea to expand on the concept further on how knitting can be used as a research tool.

Tell us about your presentation on the day?

Instead of being a formal lecture, the knit session took place on the outdoor seating platforms at Central Saint Martins, allowing viewers to also witness the conversations and making that took place. I enjoyed leading the session in a non-traditional format and this felt like a knitting and making circle.

The presentation, titled 'Thinking Through Knitting: Exploring Positionality Through Yarn and Materials', was delivered without digital slides. Instead, various yarns and materials were introduced to the group for exploration. The session encouraged participants to reflect on their identities and experiment with basic knitting skills and generating keywords as a framework for making.

A highlight of the session was witnessing staff from different courses supporting one another with basic knitting techniques and sharing other craft skills such as crochet and weaving. Participants also discussed personal stories related to family, belonging and connection whilst making together.

Images of woven objects
Thinking through Knitting session at the UAL Education Conference, 2024 | Credit: Sicgmone Kludje

How has the material developed since? 

Following the UAL Education Conference, the workshop was adapted for a series within the CCW Knowledge Exchange project funded by BIG SOUTH. This collaboration with All Sewn Up - a community crafting space based in south London - encouraged students and staff to engage with craft skills within the community.

Since delivering the workshops I have applied for 2 upcoming academic conferences and will be reflecting on this research as part of an upcoming academic journal on the importance of knitting and community.

Where can staff find out more, if they are interested in your research or practice?

Headshots of Thomas Giagkoglou and Irida Ntalla
Thomas Giagkoglou and Irida Ntalla | Credit: Thomas Giagkoglou and Irida Ntalla

Thomas Giagkoglou and Irida Ntalla - Student perspectives on Knowledge Exchange Initiative with the GLAM sector

Who are you and what do you do? 

We are both Senior Lecturers in Communications and Media at LCC:

Thomas Giagkoglou was course leader for 12 years before recently taking on a wider role as Programme Coordinator for theory and research. He engages in extensive evaluation within the Media School’s (London College of Communication) Unit Evaluation programme on the Year 3 Research Project unit, which he leads, and currently develops research activity in the Galleries, Libraries, Archives and Museums (GLAM) sector connected to the Year 3 Final Major Project unit that he co-leads.

Irida Ntalla has been part of London College of Communication (LCC) for the last 3 years as a Senior Lecturer in Communications and Media. Irida teaches and supervises on subjects of transmedia storytelling, media lives, creator culture and mediated intimacies. Her research expertise lies on immersive and digital economies within the cultural sector, audience research and digital intimacies. As part of her role as a Knowledge Exchange (KE) Coordinator for the Media School, Irida is also interested in collaborative research with industries and the cultural sector.

Why were you interested in presenting at the Education Conference last year and how would you sum up your experience? 

We wanted to share our own experience working on a student KE project with partners from the GLAM sector as part of the Year 3 Final Major Project unit. Our aim was to present and receive feedback on a pedagogical research as part of the student KE project, which critically evaluates it as a process of active learning. The presentation was well received, and attendees especially welcomed the findings from the student interviews and discussion shared during the session.

Tell us about your presentation on the day?

The presentation titled ‘Student perspectives on Knowledge Exchange Initiative with the GLAM sector’, examined the multidimensional benefits of KE for students, course teams and partners, and the value of students bringing fresh perspectives to real industry challenges. It also talked about the administrative challenges encountered in an industry project with a large student cohort and offered ways to mitigate these. A highlight from the session was the observation around the way students understood their personal ‘added value’ to the project as they felt in a unique position to act as a ‘youth board’ on the design challenge being part of Gen Z themselves. The session also brought attention to the agile way of working and project management, which enhances students’ professional development and soft skills.

Since presenting at the UAL Education Conference last year our work received further recognition at the KE Staff Awards 2024 where it received Special Commendation in the Graduate Futures category.

— Thomas Giagkoglou and Irida Ntalla

How has the material developed since? 

Since presenting at the UAL Education Conference last year our work received further recognition at the KE Staff Awards 2024 where it received Special Commendation in the Graduate Futures category. The panel of judges noted especially the novelty of the project which identified a media communications graduate trajectory in the cultural heritage interpretation field, which to date has not been a typical graduate destination for our graduates on the course. We were also invited to write an article for the Association for Heritage Interpretation (AHI) Journal (2024 Winter Issue), to share insights from this KE collaboration with those working in the heritage interpretation sector. Currently, we are developing an AHRC application for the Locally Unlocking Culture Through Inclusive Access (LUCIA) grant, which builds on our previous KE work and aims to extend it into a network within the museum and collections sector.

Where can staff find out more, if they are interested in your research or practice? 

Woman presenting in a classroom
Rowan Williamson at UAL Education Conference | Photograph: Shaw Liu

Rowan Williamson - Towards a Critical information literacy curriculum

Who are you and what do you do?

I am the Associate Director for Library Services and a Senior teaching fellow (SFHEA). I have worked as a librarian for many years trying to deliver embedded support to students. My current role includes leading on academic support from the libraries. For us, this is about supporting staff, students and researchers to develop information literacy skills that allow them to navigate the complex information landscape. With the advent of fast developing AI tools and AI generated content, plus UAL’s aims around social purpose, I am very interested in how we can use the critical evaluation skills and concepts of academic integrity that are embedded in our information literacy curriculum frameworks to address these challenges head on.

Why were you interested in presenting at the Education Conference last year and how would you sum up your experience? 

I thought the Conference might be a good way to reach academics to have a conversation about how we can work together to embed these skills in co-delivered or embedded sessions in their courses. I had designed the activities around that process.

Tell us about your presentation on the day? 

'Towards a Critical information literacy curriculum' introduced ideas about critical librarianship, critical pedagogies and critical literacies, going on to explore ways that information literacy could help students take a critical view of their research.

The session shared some of the key practices that librarians use in information literacy teaching to help students with evaluating information, asking workshop participants to look at sources for research and to critically evaluate them using traditional concepts of academic authority. Participants then discussed the possible ways which this approach could be expanded to acknowledge the limitations of taking a very binary approach to what was an ‘authoritative’ source.

The conversation explored the many ways that a more nuanced awareness of the information landscape and some of the biases inherent in it might be discussed through librarians supporting delivery of course material, working in briefs to support research techniques. We discussed ‘WEIRD’ thinking, citational justice and patterns of knowledge production across the world.

We wrapped up by discussing whether this critical approach serves us well, with one participant posing the question: “Are we now in a post critical time?”. Food for thought that has since sent me on my own research journey to explore the world of ‘postcritical’ thinking. I remain unconvinced but open-minded!

How has the material developed since? 

I have since presented the material to librarians at our staff development conference to help them to generate conversations with academics in their liaison work with courses and to support them developing their practice in this area. I also worked with the Exchange who introduced us to an independent publisher to trial some author talks in libraries. It’s still a work in progress, trialling new ways to build on these ideas, but keeping the conversation live is very helpful for our reflective practice in libraries, and it hopefully filters through to courses as we engage with them.

Where can staff find out more, if they are interested in your research or practice?

To contact Rowan Williamson, please email r.williamson@arts.ac.uk.

For further information on the subject matter, see references:

  • Gregory, L. and Higgins, S. (2013). Information literacy and social justice: radical professional praxis. Sacramento, Ca: Library Juice Press.
  • Downey, A. (2016). Critical information literacy: foundations, inspiration, and ideas. Sacramento, Ca: Library Juice Press.
  • Accardi, M.T., Drabinski, E. and Kumbier, A. (2010). Critical library instruction: theories and methods. Duluth, Minn.: Library Juice Press.
Headshot of Naomi Bulliard
Naomi Bulliard | Credit: Naomi Bulliard

Naomi Bulliard - What a creative university with language justice looks like

Who are you and what do you do?

I’m the Head of Strategy at Centre for Sustainable Fashion, London College of Fashion. I’m a linguist and multilingual educator with expertise in intercultural collaborations, participatory design and cultures of sustainability. I learnt English in secondary school and lived in an English-speaking country for the first time as an international university student.

Why were you interested in presenting at the Education Conference last year and how would you sum up your experience? 

I had presented once before when we were all online, so I was looking forward to an in-person conference. The UAL Education Conference is a great opportunity for deep dives into topics that we don’t always get exposed to or finding out what is happening across UAL. The sessions I attended were great, and it was equally wonderful to catch up with colleagues from across UAL between the sessions.

Tell us about your presentation on the day? 

The university is more and more diverse, culturally, linguistically and in many ways. Multilingual learners (often referred to as learners of English) bring a rich cultural and linguistic background to the community. Yet often, we do not recognise the value in the linguistic, cultural and cognitive diversity they bring, or speak in a way that is asset-based. For example, we often refer to learners of English as being non-English speakers; having inadequacies and gaps. It’s about shifting mindsets.

The presentation 'What can a creative university with language justice look like?' shared practices of language justice – simply defined as the right to communicate in the language in which one feels most comfortable (Antena, 2013) - and explored how language is core to how we express ourselves and connect with each other, while also inextricably linked to culture, identity and power.

Goals:

  • Exploring asset-based pedagogies as a step towards language justice.
  • Understanding existing attitudes towards multilingualism, multiculturalism and diversity within an higher education system, where the dominant language of instruction is English.
  • Shift attitudes towards multilingualism but doing so by understanding real or perceived barriers to perceiving multilingualism as an asset.

Prompt cards were available for participants to comment, ask questions or share their experience:

  • How can we imagine a creative university that is multilingual?
  • What if we moved away from English-only to a more flexible approach which encourages a meanwhile space/time with linguistic diversity?
  • What if we perceive Multilingualism as a learning resource.
  • How can we empower tutors and educators as advocate for change towards multilingualism?
  • What can an exploration of different languages as creative practice be like?
  • What does a creative university with Language Justice look like/sound like/feel like/taste like?

How was this received and has the material developed since? 

The format of a conversation, not a workshop or lecture, was important for me, as I was hoping for different perspectives to emerge, to unpack a range of ideas. My preliminary discussions highlighted that this was a contentious topic, so I wanted to focus on imagining possibilities and opening up the conversation for the place for languages in a creative university and the barriers faced by course leader, tutors or technicians to perceiving multilingualism as an asset.

The session was cut short due to unforeseen circumstances, but I was really pleased to see a good turn out and really interesting contributions: one French student said they were learning Japanese to connect with peers better; tutors shared experience of encouraging the use of various languages in their class etc.

I’m continuing my exploration looking at the ways in which asset-based teaching and learning in higher education supports wellbeing and equity.

Where can staff find out more, if they are interested in your research or practice? 

I want to acknowledge those who are working specifically in the linguistic justice space at UAL, such as Victoria Odeniyi, Eve Lin, Damian Fitzpatrick and Leanne Grice.

For further information on the subject matter, see:

  • Flint, A. S., & Jaggers, W. (2021). You matter here: The impact of asset-based pedagogies on learning. Theory into Practice, 60(3), 254–264. NYU Steinhardt.
The UAL Education Conference is a great opportunity for deep dives into topics that we don’t always get exposed to or finding out what is happening across UAL.

— Naomi Bulliard

Contact the Conference team

If you have any questions about this year’s Conference, please email educationconference@arts.ac.uk.

Browse more events from the Teaching, Learning and Employability Exchange and sign up to our monthly Bulletin to be informed on further teaching and learning news.