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IFFTI conference returns to LCF

Group of people posing on a concrete stair case.
  • Written byUna Lote Andzane
  • Published date 23 April 2025
Group of people posing on a concrete stair case.
IFFTI conference staff and guests. Image courtesy of Dhruv Prakash.
London College of Fashion (LCF), UAL, welcomed fashion educators, researchers and practitioners to our East Bank home to explore the theme “Forming Futures” in the 27th annual conference.

IFFTI (International Foundation of Fashion Technology Institutes) is an international network of fashion and textiles institutes representing a diverse range of 55 world-leading institutions from 23 countries. The foundation provides a platform for sharing skills and knowledge and advancing the professional development of fashion education and research.

This year also marked the third time LCF has hosted IFFTI since the foundation’s establishment in 1998. Professor Andrew Teverson, Head of London College of Fashion, emphasises the privilege of hosting such a global gathering:

“LCF has a long and rich history of driving innovation in fashion, and as one of the world’s leading institutions in this field, we are dedicated to using fashion as a force for change — socially, environmentally, and culturally.”

Person standing in a classroom and presenting.
Paper presentations. Image courtesy of Dhruv Prakash.
People sitting around tables in a classroom.
Paper presentations. Image courtesy of Dhruv Prakash.

Key themes

Each year, the host institution decides on the conference’s theme. John Lau, Dean of Academic Strategy, explains that the relocation to East Bank in Stratford, building local community ties, and establishing partnerships quickly emerged as central matters. “We didn't just land in Stratford — we spent a lot of time working with schools and the local community before the building was even designed,” he explains.

Working with emerging technologies was another topic that called for consideration of ethics and the blurred lines between digital and physical, material and immaterial. “How people interact with fashion now has changed so much, and that needed a lot of discussion,” Lau believes.

People sitting in a classroom.
Workshops. Image courtesy of Dhruv Prakash.
Paper and notebook on a table with a person's hand taking notes.
Workshops. Image courtesy of Dhruv Prakash.

Surprisingly, the most appreciated theme this year was pedagogy, featured in the agenda for the very first time. “We're all teachers as well — we want to talk about how we teach fashion,” Lau notes, highlighting that discussions around how fashion lives in a classroom setting are often overlooked at other conferences.

When it came to finalising the overarching narrative of the conference, Lau realised that it all centred around forming the future of fashion. “It's not just about standing in front of a classroom and talking for an hour — there’s so much more to it than that,” he explains.

Group of people walking on a pavement in a park towards a stadium.
Exploring the area around East Bank. Image courtesy of Dhruv Prakash.
Group of people standing in an archive listening to a person giving a speech.
Exploring the facilities at East Bank. Image courtesy of Dhruv Prakash.

International voices

For Ingo Rollwagen, Professor for General Management in the Department of Design at Hochschule Fresenius, University of Applied Sciences in Germany, this was the ninth IFFTI gathering he had attended.

Coming from a cross-industry background — including car mechanics, chemistry, and engineering — Rollwagen decided to submit a paper presentation this year because the theme sparked a real interest in him.

“Forming futures is right down my alley, as I’m also teaching my master’s course on sustainability and the creative industries, which focuses on strategic foresight. So, it felt very natural to come to this conference,”

— Professor Ingo Rollwagen

For him, meeting people from around the world is always inspiring. “I really love seeing the differences, but also the commonalities in pedagogical approaches. And I think we’ve become a little more down-to-earth in terms of sustainability,” he concludes.

People sat in a lounge at a university and talking to each other.
Networking at the conference. Image courtesy of Dhruv Prakash.

Opportunities for networking

Attending such conferences is not only an excellent opportunity to discover new research and ideas, but also for LCF-based PhD students to get their first taste of working as an academic.

For the first time in the conference’s history, a dedicated networking event was included in the agenda. “We really wanted to have a space for PhD students to get together and celebrate their presentations and posters by simply spending time with each other,” Lau says.

A longer lunch break was also introduced to encourage human connections. “That’s the moment where they want to talk to each other and catch up with old friends — because it’s always the same group of people,” Lau explains, adding with a smile that even an hour and a half wasn’t enough for some.

Five people sat on chairs in front of a lecture theatre for a panel discussion.
Panel discussion. Image courtesy of Una Lote Andzane.
People sat in a lecture theatre.
Panel discussion attendees sat in the lecture theatre at East Bank. Image courtesy of Una Lote Andzane.

Highlight of the week

Although the week featured many remarkable moments, Lau most vividly recalls hosting the keynote panel. The differing understandings of what fashion and the industry are made the panel a challenging one to chair — but he believes that disagreement is what made it so brilliant.

“For the first time, it wasn’t just a panel event where everybody agreed and there was no real discussion,” he says. “I want people to feel safe to talk about fashion openly, because that’s how you advance the field in research and teaching.”

Canteen with tables and chairs arranged for a gala dinner.
Gala dinner. Image courtesy of Dhruv Prakash.
Person speaking in front of an audience with a mic at a gala dinner.
Professor Andrew Teverson at the gala dinner. Image courtesy of Dhruv Prakash.