William Carkeet is a sound artist and former student of BA (Hons) Sound Arts*. Since graduating in 2023, he has worked as a film composer’s assistant and created his own sound installations and film scores.
Tell us a little bit about you, what are you working at the moment?
Since I left the BA (Hons) Sound Arts course at LCC, I have been working as a film composer’s assistant with artists such as Matthew Herbert and more currently working with Jerskin Fendrix, known for his score work on the two Yorgos Lanthimos films, Poor Things and Kinds of Kindness.
Over this time, my work has involved engineering recording sessions, creating instruments/samplers using conceptual sonic ideas, researching innovative approaches to score development, exploring sonic concepts, managing and arranging files for orchestral sessions with the London Contemporary Orchestra, and contributing to the production of Jerskin’s solo album.
In addition to my collaboration with Jerskin, I am also a sound artist and composer, developing my own film scores, sound installations, and albums. One of my current projects is a series of bellow organ compositions, recorded and performed in a derelict Primark building on Margate High Street. This work examines the interplay between the organ’s sound and its surroundings, highlighting the instrument’s unique sonic qualities and the atmospheric resonance of its setting.
Why did you choose to study BA (Hons) Sound Arts at LCC?
I chose to study the BA (Hons) Sound Arts at LCC to redefine my understanding of sound and reimagine my creative process. Before starting the course, I spent several years producing albums as part of various projects and bands, which sparked my curiosity to delve deeper into the concept of sound itself.
What was the highlight of studying at LCC?
The most significant highlight of the BA (Hons) Sound Arts course for me was the expansion of my creative knowledge across the arts and the transformative impact it has had on my creative output. The course fosters an environment of exploration and experimentation, encouraging students to push boundaries and discover new artistic perspectives. You’re given not only the freedom to innovate but also access to exceptional facilities and resources, enabling you to bring your ideas to life.
How did your time on BA (Hons) Sound Arts shape who you are today?
BA (Hons) Sound Arts not only illuminated a clear path for me to follow but also gave me the tools and confidence to pursue opportunities in the film industry that I had previously only dreamed of. Without the foundation provided by this course, I wouldn’t be where I am today working on film productions, a long-held aspiration of mine that once felt out of reach.
What top tips would you give to prospective students applying to undergraduate courses at LCC?
My advice to prospective undergraduate students is to embrace every opportunity and make the most of the experiences offered. Say "yes" to as much as you can while you have the time and space to explore. Attend extra workshops, events, and talks provided by your course.
I would also advise you to recognise that the tutors and technicians you’ll work with are not only incredibly knowledgeable but also hugely creative individuals. They are there to enhance your learning and experience, so allow yourself to be inspired by their expertise. Take every opportunity to learn from them, their guidance can provide personal insights that will shape your own creative journey.
*The course now has two pathways, BA (Hons) Sound Arts: Design and BA (Hons) Sound Arts: Experimental Music.
Visit the BA (Hons) Sound Arts course page