A research project on the hybrid relationship of photography and writing – and how photographs are expanded, altered and dissected through text in installation and performance contexts through analysing gesture, voice and language as performative and visual means.
By addressing iconic and discursive elements in respective materialities, this research investigates how the hybridity of text and /image works can be defined in intermedial, intertextual and interdisciplinary terms. It challenges the dichotomy between theory and practice through understanding text and writing as integral parts of the artistic process, arriving at an expanded understanding of photographic exhibition practice through gesture, voice and language as performative and visual means.
Convened by Beverley Carruthers and Wiebke Leister, this project started in 2015 with a programme of public talks, and a workshop series, and has since expanded, reaching out to other institutions and communities including Tate Modern, The Photographers’ Gallery, Photofusion Photography Centre, and Photography and the Archive Research Centre (PARC).
Many thanks to BA (Hons) Photography, MA Photography, PhD students and alumni involved over the years: Patricia Atzur, Victoria Doyle, Ana Escobar, David Dawson, Sabrina Fuller, Alberto Gualtieri, Asa Johanesson, Victoria Jouvert, Jessie McLaughlin, Davide Meneghello, Marcia Michael, Nassim Rad, Herman Rahman, Katrin Ribbe, Ernst Schlogelhofer, Tomoko Suwa-Krüll, Jacqui Taylor, Brenda Vega, Agnes Villette, James Wilde.
Beverley Carruthers: b.carruthers@lcc.arts.ac.ukWiebke Leister: wiebke.leister@rca.ac.uk